MJEB: Dawayne posted me this recently and I asked his permission to republish. I'll forward any comments to him.
DAWAYNE G:
Ben Webster Soulville http://www.youtube.com/watch?v=eQkpYzRarkA
Lester Young http://www.youtube.com/watch?v=WON5vOK2Qw0
http://www.youtube.com/watch?v=oVLMR3ffNSQ
http://www.youtube.com/watch?v=TaPIyo51cr4
http://www.youtube.com/watch?v=SeqwPX4T4E0
http://www.youtube.com/watch?v=vcM8itcB2eI
http://www.youtube.com/watch?v=6GpQv4GxZJ8
http://www.youtube.com/watch?v=AxUvFBsLkdc
Buster Smith http://www.youtube.com/watch?v=fyrn1Gl1gZw
http://www.youtube.com/watch?v=ks3H3SR7W2c
http://www.youtube.com/watch?v=K51s5KBDZ9Y
http://www.youtube.com/watch?v=kxM42ylCFfk
http://www.youtube.com/watch?v=9L0eMOo4FIE
Jimmy Smith & Stanley Turrentine http://www.youtube.com/watch?v=W_6TM2VifwE
How can you separate Blues from Jazz?….you can not….and should not!
Any great soloists from the old days is speaking to you through their respective instrument…making it talk to you…a conversation.
All of the great “Blues Harmonica” men that I have personally known told me the same thing…they all learned and pulled from sax players, jazz sax players, piano, organ. Country and western, swing, riffs, grooves, and melody as they saw fit; Little Hatch, Ben Kynard, Snooky Pryor, Mojo Buford, Billy Boy Arnold, Carey Bell, Easy Baby, Junior Wells, James Cotton, Paul Oscher, Jerry Portnoy, Charlie Musslewhite, Little Mack Simmons, Willie Cobb, Arthur Williams, Rod Piazza, Kim Wilson, James Harmon, Jerry “ Boogie’ McCain, Wild Child Butler, and Lazy Lester. I am sure that I have forgot to name some more folks that I have met and worked with. I have been very blessed and extremely lucky to have known these wonderful folks.
My friend Honeyboy Edwards personally carried Little Walter and Big Walter to Chicago for their first times respectively.
All of these guys always told me that Little Walter, Sonny Boy, Big Walter, Wolf, Muddy, Jimmy Rogers, George Smith, and Jimmy Reed all listened and learned from Jazz players….and then some. Robert Johnson stole from the best!
I have learned so much from Piano, Bass, Drum, horn, harp, keyboard, and vocalists through Blues and Jazz. It is really very hard for me to separate the styles in many ways. Any so called “Blues” fan or “Blues” player that thinks that they do not like jazz is being very narrow and closed minded. The best “Blues” has a debt far too many times to “Jazz” or other styles of sound. My new friend Michael Barry who has very nice tone surely understands these thoughts. Please punch the next ignorant so called “Blues” chump who thinks differently.
Champagne or gutter blues??? One is refined and the other is raw. Both can carry their own beauty equally.